Two years after the world formally met her via her acclaimed debut, Bring Me the Workhorse, Brooklyn, NY’s My Brightest Diamond – spearheaded by Shara Worden – has been established as one of independent music’s most vibrant, creative and original voices. And with A Thousand Shark’s
Teeth, Diamond’s incredible, breathtaking sophomore release, we are all instantly reminded once more of Shara Worden’s undeniable talent.
Charming, playful, daring, foreboding, graceful, eclectic, exciting and visceral: these are all the first words that come to mind after a full listen through A Thousand Shark’s Teeth. Originally meant to be a more classical, string quartet affair, the work slowly evolved and refined itself over a period of six years. The record, which was mixed by Husky Höskulds (Tom Waits, Elvis Costello), was recorded in Berlin, Los Angeles and New York City, and features twenty different players all contributing little bits of musical magic.
Influenced by artists such as Tricky, French composer Maurice Ravel and Tom Waits, in addition to the star exploration themes in the paintings of Anslem Kiefer, the imaginary landscapes of photographer Robert Parke Harrison, films by Jean-Pierre Jeunet, and Alice in Wonderland, A
Thousand Shark’s Teeth is a musical snowglobe that sparkles each time you touch it. The songs, whose themes broach intimacy, kisses by moonlight, laundry, lost friendship and more, marry vast instrumentation – marimbas, harps, clarinets, French horns, rabid guitars, vibraphones to name a few – to create an unequaled amalgamation of style and color. In simple terms: it’s beautiful, and there’s nothing else quite like it.
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